Whitelines paper

Whitelines Package
Can dark rules on white paper really impair both reading and writing? Is white paper harsh on the eyes? Do you want to avoid lines in photocopied pages? Is there an alternative?

It’s a fairly bold statement to claim a fundamental improvement in writing paper, but that’s what the Swedish stationer Whitelines asserts. They sell notebooks and pads of paper in a faint gray colour, with the rules in white.
Whitelines Wirebound Notebook
I ordered a selection of products with square ruling (a.k.a. “graph paper”) – wirebound A4 and A5 notebooks, stapled A4 and A5 composition books, glued A4 and pocket notebooks, and A4 and A6 paper pads. Shipping from Sweden to Canada took an astonishingly quick three days. They have their organizational act together!
Whitelines mark
All the products share the same paper, a bit thinner than I would have liked, patterned front and back with the white grid on a gray background. There is also a mark, “Whitelines Patent Pending”, on every sheet of paper.
Whitelines Pad
So how is it? Nice, very nice. Ballpoint, fountain pen (a medium nib Lamy with Montblanc ink), and pencil work well, though the paper is thin enough to show through anything dark.

Is it easier on the eyes? If you work in an office with overhead flourescent lights and computer monitors everywhere, probably anything might be easier on the eyes. It’s really hard to say – it is certainly pleasant enough.
Whitelines Glued Notebook
There is also a more subtle effect – the lines are there, but less prominently than on regular paper. It could be true that it is a less distracting structure for some.

One thing I’m ambiguous about is the amount of branding, though it’s a nice bright orange, and it doesn’t impair using the paper.
Whitelines Composition Book
Would I buy more? They’re a lot of fun, which I think would be the deciding factor. After using them for a while, I might choose a preferred format (so far I’m using the A5 composition book the most) and get a personal stash. Of couse, something else might come along in the interim.

Welcome to Pencil Talk!

This blog has been in a personal domain the last couple of years, but I think it is time to graduate to digs of it’s own. If all went well, all previous links should work, redirecting to the new domain.

Welcome!

Wrapup: New Zealand/Australia pencil month

Some thoughts about the pencils we’ve looked at this past month…

It’s great that Australia still has a pencil manufacturing plant (Staedtler). There were a number of pencil plants in Canada some years ago, but they have all since departed. Going way back, Thoreau’s pencils used Canadian graphite for a while. Today, the Pink Pearl eraser seems to be the only Canadian made pencil item I can find. Papermate sells a “Canadiana” pencil – but it’s imported.

All the branded pencils are offered by German companies – Staedtler, Faber-Castell, Stabilo. I’m not sure what that means, but I’m somehow surprised.

The Tradition 110 would easily be my choice as the best of the lot. Most of the pencils are average.

I like the idea of a series of reviews, but the average pencils were challenging to write about, so I’ll be more selective before trying this approach again.

And for anyone who has read this far – the server stats tell me the blog readership grows monthly, and it is among the top results in many Google searches – but the comments and discussion don’t reflect this. Would anyone be interested in either a mailing list or forum devoted to pencils? Another format might be better at preserving some of the accumulated knowledge and opinion, and encouraging discussion.

Faber-Castell 1111 pencil

Faber-Castell 1111 pencil
This is the final pencil in this August series on the pencils of Australia and New Zealand. Thanks again to Dave for sending me these pencils.

The Faber-Castell 1111 is an uncapped hexagonal pencil in matte black, simply marked:

SV 1111 21/2=HB Faber-Castell

It definitely looks nice in all black with minimal markings.

Faber-Castell 1111 pencil

As a pencil, it’s like others in this series – not bad, but not exceptional. The lead is slightly scratchy, but on the plus side seems to hold a point unusually well. After a page of writing, it seems just as sharp.

Faber-Castell Goldfaber 1222 pencil

Faber-Castell Goldfaber 1222 pencil
The Goldfaber brand is definitely marketed in North America – but it’s more known as a student or craft line of pencils. I’m not sure if one can actually buy this specific pencil here – I’ve certainly never seen one in person.

The 1222 is a real sleeper in the New Zealand/Australia series.

The only branded pencil in the series with an eraser, it is a sleek alternating Royal Blue/Silver combination, with gold and white stamping. It has a silver coloured ferrule with a white eraser. No country of manufacture is indicated.

It certainly has a finished appearance. Unlike other pencils in the series, whose colour schemes may be equal or superior as palatte choices, the 1222 is unique in having a high quality varnished finish, absolutely smooth and bright.

For what I suspected was a B-line pencil, the lead is good – not nearly as nice as the 110 – but still rich and dark.

The eraser, though white, is rough, not a smooth vinyl, and a disappointment.

Browsing around various national Faber-Castell sites, it seems the pencil may originate in Indonesia, though it is cedar rather than jelutong.
Faber-Castell Goldfaber 1222 pencil
It is a very interesting pencil, and I am glad to have a couple of them.