Pantone Universe Graphite pencils

Pantone Universe Graphite pencils

Graphics professionals know the name Pantone. And the Pantone accessory they will soon be wanting is the Pantone Universe Graphite pencil.

The pencil is part of the Pantone Universe consumer product line, which includes notebooks and business accessories. The line launched in 2005, and is still introducing products.

The pencils are made for Pantone in Japan (manufacturer unknown).

Pantone Universe Graphite pencils

There are several striking aspects to the pencil. The first is that the pencil comes in a range of grades, with each pencil painted with a correspondingly dark swatch of graphite grey. The overall look is amazing – it is just like a professional colour swatch, in graphite shades, but presented on pencils.

I predict these will become very popular when they receive broader distribution.

The pencils are black and grey on white. A great scheme and idea that emphasizes the pencil’s core function, they do look fantastic.

Pantone Universe Graphite pencils

The shape is a rounded square. This makes me fear that these may be a type of novelty or promotional pencil. Yet there is a corresponding colour pencil set, and they come in a wide range of grades, which is not the norm for a novelty item. It’s also a commercial product, and I doubt that even with the great graphics, Pantone would release a non-functioning pencil.

Pantone Universe Graphite pencils

They require a different sort of grip, and I can’t say that I found them comfortable after brief use, nor would I want to put too much effort into adaptation. Yet, depending on what you’re doing and how you like to hold a pencil, they may be fine.

They are a real joy. Pantone should consider giving these away as a bonus with their more expensive products. What a collector’s item they would become!

Steno pencils: pencils with a job

Steno pencils

Faber-Castell and Staedtler each make a specialty extension to their premier lines – a “steno pencil”, aimed at shorthand practitioners. They are round versions of the Castell 9000 and Lumograph 100.

Staedtler’s entry is the Mars Stenofix, model 101. A round version of the Lumograph 100 (a Lumograph 101?), it is dark blue, but with the cap in turquoise rather than black. My thanks to Dave for providing this pencil. It is unfortunately not locally available to me.

Steno pencils

Faber-Castell’s offering is the 9008 Steno, corresponding to the Castell 9000 series. In appearance, it looks just like a round 9000.

Each is a high quality pencil, and I couldn’t detect any difference between the lead used in the mainstream pencils and the steno versions.

Steno pencils

The Stenofix is available solely in HB, while the 9008 is offered in HB, B, and 2B.

There is one other practical difference – the Stenofix has a full size diameter at about 7.45mm, while the 9008 has a thinner 7.25mm diameter.

They are interesting, quality pencils, and it’s unfortunate that they aren’t more widely available.

Red and Blue pencils

Red and Blue pencils

An interesting traditional specialty pencil is the red and blue pencil. Still manufactured today, this pencil is one half red, one half blue. (Both lead and varnish.)

While accounting, school, and editorial uses for this pencil may be traditional, I can imagine many other functions, including U.S. political consultants using these to plot on electoral maps.

Red and Blue pencils

Though I saw an interesting Koh-I-Noor at Lexikaliker, the three pencils I was able to quickly acquire from the excellent pencilthings.com were:

Musgrave Hermitage Thin 525 Red and Blue Combination
Musgrave Harvest Thick 725 Red and Blue Combination
Prismacolor Verithin 748 Red and Blue

The “Thin” and “Thick” labels of the Musgrave refer to the pencil cores – not the pencil diameter. The shape is the externally distinguishing feature – the Hermitage is hexagonal, while the Harvest is round. The Prismacolor pencil is also round.

Red and Blue pencils

While attempting sharpening, I found the leads of both Musgrave pencils to repeatedly break in a variety of sharpeners – especially the red ends. The Hermitage in particular seemed extremely averse to sharpeners. The Prismacolor pencil had no such problems.

As pencils, each had merits – the Prismacolor had the richest and most vibrant colours – so it would be the best on a blank sheet – yet the lighter and more muted tones of the Musgraves might be better for correction on a printed page.

Oddly enough, while preparing this post on the weekend, I saw a red and blue pencil used in the film “The Ninth Gate”. Johnny Depp’s character (a rare book dealer) uses this type of pencil to take notes:

Red and Blue pencils

In appearance, these pencils are a great blast from the past, and both Musgraves having great styled details. The Prismacolor has a serious presentation issue – the blue end appears to be a type of foil on top of the red varnish. Since the pencil shipped with a bar code sticker on the blue end, the foil now looks extremely dated and tattered. Almost like the fallen disco ball on that bad remake of the Poseiden Adventure.

Red and Blue pencils

Despite some issues, I think the Prismacolor Verithin is the best of the lot – reliable sharpening, and rich vibrant colour.

O’Bon: Say “No” to Wood Pencils

Yesterday’s San Francisco State University Xpress had an article on O’Bon. According to the article, the company is Malaysian headquartered, with sales in Asia and North America. They make “environmentally friendly” products such as pencils cased in recycled newspapers.

They operate several websites:

A blog, where they mention, among other things, that their pencils have met U.S. “dumping” definitions, and that “Giving our money to wood pencil manufacturers is painful for us.”

A product website, which says “Say “No” to Wood Pencils”.

And another product website.

I didn’t notice any citations or research in their many claims. One example: they claim their pencils last three times as long as a regular pencil.

On the wood-positive side, Woodchuck, a respected pencil industry leader, has written about responsible forestry and the pencil industry.

O’Bon and similar companies clearly have some traction, and pencil manufacturers should take note.

I have to admit one thing. There is a major difference with the various woodless and “environmentally friendly” pencils that regularly appear, but which are low in quality – O’Bon’s pencils are usable if not good.

O'Bon pencil

The O’Bon pencil weighs about 50% more than most modern pencils. It is made in China, and claims a ‘2B’ lead. Sharpening produces a huge single plume of compressed paper residue. Though very intriguing looking, the huge plume reduces the ability to be sharpened in sharpeners with enclosed canisters.

O'Bon pencil

The graphite core is strikingly black, shiny, and solid. The lead’s luminescence is different than that of a standard woodcase pencil.

Woodchuck explained this as a graphite-plastic composite material. I liken it in some ways to the lead of a mechanical pencil.

The negative for some (apart from the casing) will be the shinier than usual markings. But overall, I think most will find it good-enough, if not actually good.

Now as to their statements and claims about woodcase pencils – what do you think?

Craft Design Technology pencil

Craft Design Technology pencil

It is a great pleasure to be able to write about this new pencil.

Craft Design Technology is a Japanese brand which produces home and office goods with an emphasis on a consistent, clean design aesthetic. They are associated with a number of manufacturers. If my understanding is correct, the brand is oriented towards functional and aesthetic goals, rather than “luxury”. Most of their website is in Japanese, which I am not able to read.

Luckily for pencil aficionados, their products include item 17, which are HB pencils.

Craft Design Technology pencil

The pencils are unsharpened, and richly varnished in a vibrant light green – almost a washed mint or green tea ice cream colour. Very unusual and pleasing. There are no bands or cap markings, and text is thankfully minimal, in black:

Obverse: Craft Design Technology

Reverse: Made in Japan [logo] item 17: Pencil – HB

High end Japanese pencils use gold or silver colour paint for lettering, and the black is a nice alternative on this already attractive pencil.

The pencil sharpened easily, and the lead was exceptionally dark, smooth, and rich, with no crumbling. CDT’s website says the pencil is made by Pentel, and Pentel’s name and logo are on the box. In my opinion, this is the right way to do it. I don’t like mystery pencils, and If I had a pencil made, I would absolutely want the provenance known. I appreciate CDT’s disclosure.

Craft Design Technology pencil

After trying the pencil, the next thing I did was reach for a Pentel Black Polymer 999. I was really astounded – I believe the CDT pencil to be noticeably smoother that the 999. And that is saying something. I next reached for an HB Tombow Mono 100 , and I had the impression that the CDT could keep up. While I haven’t put them through any lengthy paces yet, my sense it that this really is a first rate pencil.

Craft Design Technology pencil

It comes in just HB, so it’s not aimed at artists and designers. But as a general purpose office or writing pencil, it is a remarkable new entry in the market.

Craft Design Technology pencil

If you decide to buy some (I doubt you’ll be disappointed), be aware that they should be a normal price for a quality pencil – I’ve seen them offered online with astounding markups.