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Reporter Pencils

Eagle Reporter Pencil

The Eagle Reporter is a pencil aimed at professional stenographers and reporters. Though the Reporter is no longer made, the tradition continues with modern pencils like the Faber-Castell 9008, a round version of the 9000 aimed at stenographers.

The pencils are a shiny aqua-blue and are marked:”Made in U.S.A. Eagle “Chemi-Sealed” Reporter 300″.

The box has a four paragraph writeup on the pencils, which begins “Stenographers and Reporters have long approved the thin diameter and special lead of these superb pencils.” Two Eagle pencil patents are mentioned.

Apart from artists and carpenters, do any other professions today have pencils made for them? I can’t think of any. There are special pencils for marking film, x-rays and other surfaces, but they’re not graphite writing pencils.

Let’s get to a distinguishing feature: They were sold pre-sharpened at both ends. A very practical response to the need to sharpen the point, that I haven’t seen elsewhere. It does make the pencil quite pocket-unfriendly though. Only slightly less obvious is how thin these pencils are. Vintage woodcase pencils are generally thicker than modern pencils, but these are the opposite. The leads appear greyer than any modern graphite core – more about this later.

As a writer, the pencil puts down a nice dark line which seems unexpected from the delicate looking pencil. The core does seem very strong and can take all the pressure I would want to give a pencil.

The patents seemed like an interesting aspect of the pencil. Luckily, I’ve found that the U.S. patent office is online and searchable.

I looked them up and was delighted – they’re not written in legal gibberish, are quite readable and brief, and have some excellent drawings.
Figure 2 from U.S. Patent 1,854,905
The first patent is 1,854,905, Pencil and Method of Making Pencils by Charles Kaiser, Sr., filed November 25, 1929. The essential idea is strengthening the pencil casing by varnishing the pencil slats with copal. I had never previously heard of copal. It is a tree resin with a significant cultural history. There is an interesting paper on copal here. The terminology is different than today – a pencil casing is called a “sheath”, and a slat is called a “blank”.

The second patent is 1,892,508, Lead Pencil and Method of Making the Same by Narciso Gonzalez, filed March 27, 1931. The patent mentions that pencil leads typically contain tallow or stearic acid, and are thus greasy. This in turn intereferes with glue used to bind the lead to the pencil case. The problem is solved by first dipping the lead in sulphuric acid, washing it with water, then a second exposure is given, this time to diluted sulphuric acid, while a salt solution is applied. The glue then has a much easier time bonding to the lead.

Tallow being a pencil lead ingredient is news to me. I have no idea how widespread these techniques were in the industry when the Reporter was on the market, or if they’re still around today, but these patents demonstrate some of the research that has gone into making these everyday items so functional.

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Nava Pencils: Quality and Style

Nava Pencils
I’m quite pleased to be able to report on a first rate pencil discovery!

Sometimes writing instruments present us with choices between form and function: something that writes well, but doesn’t meet our aesthetic standards. I don’t think this is a major issue for pen users – high price points can be realized for fountain, rollerball, and ballpoint pens, which means that pen manufacturers are able to attract significant design resources and talent. But for the woodcase pencil, who apart from Faber-Castell seriously invests in design?

The answer is Nava. They are an Italian brand known for leather journals and briefcases. I recently discovered that they make pencils – and what pencils they are!

Beautiful round pencils, in finishes called Nero, Anthracite, Silver, and Bianco. They all have a small silver Nava logo, an orange band, and the top of the pencil is black. The lacquer is very nice – a refined slightly matted finish rather than super smooth, and very nice to handle. The wood (I think cedar) is dyed black. They are really eye catching. The Nero (black) pencil in particular with the dyed wood just looks spectacular, though they all look great. They perfectly match black notebooks like Moleskine.
Nava Pencils
Now here’s the thing – I really doubted these pencils were anything more than a fashion-type product – but I was wrong – they are absolutely first rate. The lead (unidentified grade) is rich and lays down a nice line in what might be a B or perhaps a 2B in other lines. They are as good as the best pencils that we are familiar with.

They also just “look like pencils”, if that makes sense. No bright colours, no extras – just the basics, done very, very well. They truly have achieved elegance through understatement.

Nava probably doesn’t make the pencils – they’re not a known manufacturer, so the task was likely outsourced – but unlike 99% (maybe more) of those who start a pencil line, they clearly didn’t say “get us the cheapest” – they said “get us the best”. I think they succeeded, whoever the manufacturer was. Bravo.

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L. & C. Hardmuth Koh-I-Noor Kopierstift 1561

L. & C. Hardmuth Koh-I-Noor Kopierstifte
A recent (excellent) post at Timberlines made me think of these pencils. I had bought a box of “vintage” pencils via an online auction site whose name begins with “E”. The slightly padded envelope in which they arrived hadn’t stopped the cardboard pencil box from arriving with all corners broken. Also, the box was precisely seven twelfths full. Anyhow, sometimes you have to look on the bright side – they are still interesting (and historic) pencils, and less expensive than seven new pencils from any quality manufacturer. In fact they were less than seven new Koh-I-Noor pencils would cost me.

The box is cardboard, with the Koh-I-Noor emblem on the cover, and marked “1561 mittel” and “L & C. Hardmuth” on the sides. The pencils are yellow, with gold stamping:

L. & C. HARDMUTH "KOH-I-NOOR" KOPIERSTIFT * 1561 * MITTEL

Unlike the text on the box, there is a period after the “L”. The box is additionally marked inside “Koh-I-Noor Bleistiftfabrik”. I believe that “Kopierstift” roughly translates to what would be known as a copying or indelible pencil, and “mittel” to middle. “Bleistiftfabrik” is pencil factory. Cool!

Picking one up, the first thing I noticed was that these pencils are larger than modern round pencils, such as the Faber-Castell 9008. The core also seems much wider.

The next step required some debate. Although I could see arguments for preserving them, there was also another side. These pencils were made by craftsmen across an ocean and across a generation. I would assume they wanted their product used. So – I got out the sharpener.

My first thought was – “wow, I just sharpened a really old pencil.” The larger pencil width seemed to produce a longer point than other pencils in my sharpener (a Faber-Castell UFO). The two halves of the casing also seemed quite visible.

Writing on a Rhodia pad, I wrote a few lines. I also tried a modern Koh-I-Noor for comparison. The pencil writes smoothly and reliably, similar to many other quality pencils. The lead seems quite strong. I also tried erasing my writing. It is definitely a copying pencil, and resists vinyl erasers! Only my black Factis (meant for charcoal) erased the lines of the 1561.

I thought I was done, and was going to post what I had written – but I hadn’t yet discovered the most interesting part of this pencil. After sharpening the pencil, trying it out, and writing the above notes (with the pencil), I noticed some graphite dust on my hands. When I went to wash up, the dust turned a brilliant purple. I had never seen this before from a pencil. A little searching on the web turned up this excellent article on copying pencils from an American Institute for Conservation publication. The purple had come from a dye – an “aniline dye” that was created from coal tar by-products.

An original use of these pencils was placing a damp tissue above the pencil writing to take a copy. For anyone old enough to remember a ditto machine from high school (remember the smell of a fresh ditto?), these pencils seem like a manual predecessor. They’re also associated with copy presses and were used with carbon paper. The “indelible” function took over at some point as the main use and selling point.

I tried to moisten some paper and press it against my notes to take a copy. It transferred very roughly, and I can see that with some practice and a careful choice of paper and moistenening methods, it would be a useable method.

It struck me as quite amazing that this ordinary looking yellow pencil was capable of so much.

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Conté Evolution Wood-Free Pencil

The Conté Evolution Pencil.
Photo: The Conté Evolution on another plastic object – a Rite in the Rain notebook.

This is a review of a type of pencil I hadn’t heard of until recently. Woodchuck has mentioned that there are pencil manufacturers who have rejected wood for pencil casings. Rather, they use a synthetic casing, or perhaps recycled denim.

There aren’t really that many new things in the world of pencils, and this seemed like it might be one.

Finding them wasn’t easy, and I wound up ordering a box from the U.K.

The cardboard box is quite different – a cartoon of a purple alien chewing on a pencil. There are also photos of the pencil on three sides of the box. I like this. It’s like a jam jar with a photo of a plump raspberry – there’s no doubt what’s inside.

The back of the box says:

Wood-free pencil. Stronger lead.
No splintering (synthetic lead resin).

The packaging looks like it might belong in an office supply store, targeting the same consumers as Dixon. It does look a step up from a no-name pencil. I also see the “BIC” logo – I had no idea Conté was part of this conglomerate. I had recently associated the firm with art supplies.

The pencils are a dark turquoise green, with gold stamping:

evolution 650 France HB/no2 Conté

They look – to my surprise – like pencils, and the synthetic resin looks like wood from all but the closest view. What is odd is the lead – or whatever it is. It’s shiny – sparkly shiny, and doesn’t look like any lead I’ve ever seen.

After several pages of writing, I notice that the lead seems remarkably durable, and quite smudge proof. (I had been using a Palomino earlier today, which both smudges and needs regular sharpening.) Anyhow, although it didn’t need it, curiosity got the better of me, and I decided to see how it would sharpen. It’s unusual – as if slicing a film of plastic. There is indeed no splintering, and one could likely sharpen away the whole pencil in one exhausting bout into a single elongated shaving.

Sharpening also revealed an important attribute – a noxious chemical aroma was released that stayed around for at least an hour. Some cedar pencils have a pleasant aroma – but these are definitely the opposite. It made writing quite unpleasant.

One plus – the pencils are quite flexible, much more than their woodcase brethren.

So is the “Evolution” an evolution? They have some merits as writing implements, particularly the lead. But so do many woodcase pencils. Their flexibility and break resistance might make them good for travel. In the end, I don’t like the idea of breathing in whatever it is they produce when sharpened, and I’m suspicious of the unidentified materials used to manufacture them.

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3.15mm mechanical pencils

3.15mm mechanical pencils
Photo, top to bottom:Lamy ABC, Lamy Scribble, Bexley Mini-Max, Pilot Croquis, on a Seligmann notebook.

The aspect of mechanical pencils that so many love is the one I don’t – the thin lead. Although a 0.7mm or 0.5 mm diameter lead may be ultra-precise, it’s also quite breakable. It’s doesn’t allow for much variation in line width, and the possibility of breakage (with a very tiny piece of graphite hurtling to places unknown) forces one to hold the pencil a bit too consciously.

There is hope! Though they don’t seem to have swept the world, mechanial pencils and leadholders with much wider leads are available. I’ll mention four of them, including one that has a very accessible price.

I’ve previously mentioned the Lamy ABC – it’s a nice pencil, and has a twist mechanism for advancing the lead. It also comes with a very nice cube shaped lead pointer. It’s aimed at children, so the bright colors may not be for everyone.

The Lamy Scribble uses the more conventional clutch mechanism (think “jaws”), which means you do the work in advancing the lead, though it isn’t difficult. It’s a down to business solid black in a material I had always thought metal, though it’s apparently a very dense plastic. Unlike the ballpoint and regular mechanical pencil in the Scribble line, the 3.15mm version has three sides partially flattened, presumably to enhance the grip.

The Bexley Mini-Max followed the success of their Multi-Max, a pencil using the even wider 5.6mm lead. (I love those also, but that’s another post). The Mini-Max is a 3.15mm pencil, also using a clutch like the Scribble. Bexley is a serious fountain pen company, and they released the Mini-Max in several finishes. It sells in a metal box that includes several goodies: a KUM lead pointer with a container (this looks like a standard pencil sharpener unless you’re quite close, and will also sharpen 5.6mm leads), a tube of graphite leads (maybe a B grade), a tube of coloured leads, and a real surprise – two ballpoint pen inserts that the clutch mechanism will take to covert the pencil to a pen. It’s quite a nice set. These ballpoints can be purchased for use in other clutch 3.15mm pencils like the Scribble.

Now for anyone who wants to try this format of pencil for much less than the previously mentioned pencils, there is a nice inexpensive wide lead pencil sold at art stores. The Pilot Croquis has a twist advance mechanism, and a black plastic body with a triangular grip. The one drawback I see is that the lead isn’t a standard 3.15mm – it is just a tad larger, so you’ll have to get the Pilot refills.

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Moleskine memo-pockets: useless?

Moleskine Memo Pockets: Useless?
Is the memo-pockets the most useless Moleskine variant?

One of the charms of the Moleskine notebook is the useful backpocket. So why not add even more pockets? Why not go even further and remove the paper, and offer a Moleskine with nothing but pockets? Well, this has actually been done.

What one gets is the world’s most expensive unusable accordion folder. I bought the small version two years ago. My intended use was to help organize a trip. But even in 2003, most tickets and receipts were much too large for the Moleskine pocket. There are only six pockets, so what can be done with them? The pockets are not labelled, and it would probably be quite hard to do so, due to the need to fold everything back into the cool Moleskine form factor.

My fault I thought – I need the large model. Wait – it’s still too small for train tickets, hotel receipts, and most documents that I’d want to put in there.

So – what can be done with them? Any ideas?

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